Manchester’s finest came through Nowadays, as part of Voices’ residency, and was really excellent.

Some highlights stand out: going from a 160 bpm quasi-hardcode uplifting piano track straight into booty house … and then after 15 minutes of straight fingergun bassline bangers, pulling out a hardcore / fast techno edit of early James Blake, which had folks losing their minds.

She also played Missy Elliott’s Get Ur Freak On, just letting the original roll on between bass music monsters (Minor Science – Workahol, among others). Well worth staying up late for.