where we at

Projects, at the 1/4 way of the summer:
– RINGETTE, for sax & electronics, is done. Sounds like Berio.
– ABJURATION, for flute & marimba, is totally drafted, pending player approval in the fall. Think lite Ferneyhough.
– BABA YAHA, for bassoon and piano and loops, has a first section and form. Writing like Tchaikovsky is hard.

– ELEVEN, a small chiptune suite, is 1/3 of the way done, for the year,
TH TMPST is well concepted, some analysis has been done. Needs lots of work.
– Considering a project called GIRLS DANCE TO THIS MUSIC, will probably hold off on that for a bit.

– ALL MY FRIENDS MISS ME has been started. It’s a pretty self-explanatory mix tape.

– Serato statistics tracking is at 0.1 or so: some things work, more can be done, and then
– LYRETTE, a chord progression improv tool, built in Max, is at 0.001.

– Figuring out what I want to do with my life: 15%.

Lots to do!

trying to hit this page more

…by leaving the login open in Chrome at all times:

Sunset Labs, the DJ collective that I’m part of, is live.

Great interview with Chris Longshanks, and an even better mix from him, over at Subdiv.

This is beautiful: papercraft meets projectors meets shadow puppets meets Russian fairy-tales.

The MIT bookstore is amazing. And the piano in my house is between 95 and 81 years old.

today is about giving a damn

“Liking Is for Cowards. Go for What Hurts”

on vinyl

Actually, on record stores:I used to do a lot of record shopping, but that stopped being possible in Victoria several years ago. When I was in Berlin last summer, I had the chance to go record shopping, and I discovered an amazing thing. Turn out I had not been listening to music, not properly, for the last five years. In a record store, with nothing between me and the needle, with no chance to distract myself, I had to take the damn time to hear things. This was relevatory. The amount of care I put into that purchase was much, much higher than any recent grab from Beatport or Bleep. Not because of format issues, but because of listening and focus issues.

I think it’s possible to listen to music this way online, but it’s much harder. Beatport times out after two minutes, Bleep works in 30 second chunks, Boomkat has BEEEEPS regularly. Randall Munroe, of XKCD fame, spoke to this a bit in this post , and there are apps like Freedom that turn off your internet connection. I just went through the Resident Advisor reviews RSS feed, paying as much attention as I could…and I still got lost, briefly, chatting with a friend. Focus is hard on the interwebs. The best way to really turn your ears on to music is to go to a record store, sit and listen for an hour or three, and then choose your tracks.

going to boston, brb

Yep. America! I’m hacking for The Echo Nest for the summer. No camera this year, so things will be fairly quiet. If you’re out east, drop me a line! If you’re not, I’ll be back in the 250 in September.

shorts

Amazon Web Services crashed on the day that Skynet was supposed to wake up. Just wanted to have that down for posterity. Remember: truth is always stranger than fiction.

NEW WORLDS is coming back. Well then.

Portal 2 is out. I won’t be able to play it until I get back from Boston, which is crushing.

Boston! Here are my projects:

TH TMPST, which has been discussed before.
– BABA YAHA AND PRINCESS VASILISIA, for bassoon, piano, and electronics.
– ABJURATION, for flute and marimba.
– RINGETTE, for tenor sax and ring modulation.
– ELEVEN, a series of electronic miniatures with Gerald Deo.

And, you know, work. Busy times!

another girl

Jacques Greene played at Sub:Division at Lucky bar last Wednesday, and single-handedly restored my faith in music. What’s the best music to play in 2011? Everything: dirty, dirty Chicago acid, heavy dubstep, gorgeously lush 61 BPM R & B joints, driving Detroit techno, snappy garage, and so on. A spectacular set.

In other news, I am now a Serato person. So many things to say about that, but it can wait for a long post.

TH TMPST

I started a new project: I’m going to try to use a tumblr account to track influences, updates, etc. It’s here.

Since you asked:

‘TH TMPST RUNS 8 BIT CHIPTUNES INTO COLLABORATIVE SPOKEN WORD INTO TEXT FROM SHAKESPEARE’S PLAY INTO MUSIC FROM JEAN SIBELIUS’ 1925 SCORE.’

one comes, one goes

My man Stefan ‘Big Dirt’ Tarras is dropping in to town to, well, drop bombs:

I will be closing out the night, probably on my shiny new Serato setup: only five years behind the times. I am also leaving for Boston for the summer the next week: if you Must See Me DJ, now’s the time!

c2

The man with the smuggest looking press shots in Dance Music played at Lotus several weeks ago: I acci-went, and had a really, really good time: he played a lot of vinyl, has that odd, casual, Detroit mixing style, and knows how rooms work. And I got to hear someone other than me play Strings Of Life, which made me happy. And now it turns out that Lotus is closed, which makes me doubly glad I went: I spent a LOT of time down there when I lived in Vancouver, and it taught me a lot about how records and people work

Links:

Someone wrote some python code that tells people where you are. Creepy, indeed.

Someone else displayed all 48,000-some characters of Unicode, in order. In a way, all human knowledge is in this one video.